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Line Edit
A master class video series I created and produced with James Ryerson. There is also a separate podcast . Each episode compares an original draft to its published form in the New York Times, surfacing tacit knowledge about micro, meso, and macro-scale edits.
VIDEO
David Kaiser
Don't hunt for your peg; the value of the explainer piece
Examples: one can be better than many
Explain the complex idea before giving it a “handle”
VIDEO
Priyamvada Natarajan
Don't bury the lede; history can work, but start with action
Generally, don't open up new questions at the close
Take information out to keep people in
VIDEO
Agnes Callard
Each piece is drawn from a population of pieces
Generally, leave epigraphs at home; know your venue
Though you don't choose headlines, write engaging ones
VIDEO
Kwame Anthony Appiah
Even “perfect drafts” have changes; editorial discretion
Lead with your own voice; use quotations to drive home
Explain everything except for the household names
VIDEO
S. Matthew Liao
Get to the point quick; no need to clear your throat
The second paragraph self-introduction & clarification
Bringing some rhetorical drama into a conclusion
Strengthening a conclusion
VIDEO
David DeSteno
Start with the action, not with what you won't talk about
An op-ed is at most one idea, start where the action is!
When it's relevant, state your vantage point up front
VIDEO
Lisa Feldman Barrett
Use paragraph breaks to set up a three-beat structure
Go big or go home: signal the magnitude of your claims
Don't forget your readers: concede intuitive points
VIDEO
Pitching
Advice and suggestions for academics looking to pitch op-eds to popular outlets